In addition to old video game consoles, I'm also interested in old computers. I don't exactly collect them per se, but if I come across a particularly great deal I rarely pass it up. Last Friday I came across one such deal and have now added a TRS-80 Model 4D to my collection.
First, a very brief background on the TRS-80 line.
Tandy entered the personal computer market in August 1977 when they produced one of the first commercial home computers in the TRS-80 Micro Computer System (Model 1) which they sold through their Radio Shack stores at a retail cost of $599 - about half the price of its direct competitors the Apple II and the Commodore PET. The name itself was a shortened representation of the manufacturer and the processor - "TRS" referred to Tandy-Radio Shack and "-80" referred to the Zilog Z80 CPU which ran the computer at a blistering speed of 1.77 MHz - faster than the 1MHz chips used by the PET and Apple II. Arguably the first affordable commercial home computer, the TRS-80 went on to become extremely successful for several years.
Fast-forward 6 years (I'm skipping over the Model 2, Model 3 and Color Computers) to April 1983 when Tandy released the TRS-80 Model 4 at a basic retail price of $1,990. The system was a true all-in-one unit with a built in monochrome monitor, keyboard and two on-board 5 1/4" floppy disk drives. It ran off an upgraded Z80A CPU at a speed of 4 MHz and came standard with 64K RAM.
Then in late 1985 they released mine - the "Tandy TRS-80 Model 4D Microcomputer System" - as the final model in the TRS-80 line at a retail price of $1199. Might sound a little pricey, but it was $800 cheaper than the basic Model 4 just two years earlier. Plus it came bundled with DeskMate! By the mid-80's there was a lot more competition in the home computer market so the TRS-80 line died out with the 4D.
I found the ad below in the January 1987 edition of 80 Micro the #1 magazine for Tandy users.
I don't really know the going price on these things these days, but I noticed someone on eBay is trying to sell one for just under the original retail price at $999.99. I bought mine from a local Houstonian for the bargain basement price of only $10. It's in great shape and seems to work just fine.
I couldn't find any old video of the Model 4D, but here is an old Radio Shack commercial I found for the Model 4 which is pretty close to the same thing.
The Model 4D is backwards-compatible with Model 1 and 3 software (don't ask about the Model 2) and actually even has a built-in Model 3 mode where it boots up from an internal Model 3 ROM and the CPU operates at half-speed at 2MHz to accurately run any Model 3 software.
As far I can tell, the main hardware difference in the Model 4D versus the original Model 4 was that the two disk drives were double-sided (thus the "D" designation presumably?) instead of single-sided and the monitor was a cool green-phosphor display instead of the boring white phosphor of the original Model 4 (later Model 4's also had the green display).
I just love the way this thing looks - like it was plucked out of an old science-fiction movie or a cold-war missile silo just waiting for launch codes. I was entertained by just goofing around with it for a while but ultimately my interest always turns to games. The 4D has the brain power to run some nice arcade games but unfortunately didn't come stock with much in the way of graphical power and sound as it targeted the more serious business user and was never really intended to be a gaming computer. But with the compact all-in-one footprint, the great retro clicky feel of the keyboard, and that wonderful bright green text it seemed a perfect gaming platform to satisfy my love of old text adventure games.Unfortunately it appears these old TRS-80 adventure games are apparently pretty rare and the ones I found on eBay were fairly expensive with prices starting at over $50 and several in the hundreds. One extreme example was a rare complete boxed edition of the original Zork, which debuted on personal computers in 1980 on the TRS-80 Model 1 - that recently sold on eBay for a whopping $1,500!! Definitely too rich for my blood, but cool Zorkian artwork with the warrior with the glowing sword, the white house with the mailbox, the forest and the mountains. I'll never own it, but I like it.
OK, I won't be buying the TRS-80 Zork anytime soon, but I am now officially on the lookout for some other text adventures that are actually affordable or some other cheap TRS-80 games to try out, or even better to start with, a big box of backup disks. If anyone out there happens to have played any TRS-80 games I'd be happy to hear some recommendations. But for now although it looks really cool, until I get a game or two I'm only able to play DeskMate, and that game is kind of boring.
Everyone would love to create their own Atari 2600 cartridge labels, but it's such a hassle. Well not anymore! Now you can make your very own custom labels with Label Maker 2600!
Just go to www.labelmaker2600.com, upload a picture you want to use, pick the controller type, text color, and a few other options and hit a button and wa-la you have your Atari 2600 cartridge labels (both front and end) that you can then print onto an adhesive paper and apply directly to your forehead and chin. Or, you know, a homebrew Atari cart or whatever.
Here's my quickie example - still working on the code:
Grrr - I accidentally hit Publish instead of Save a bit earlier today so if you read that version on a feed it was just the first few draft paragraphs. Oh and since I'm editorializing here - the snapshots below are all pilfered from the internet - not my own. One of these days I'm gonna set my screen/video capture stuff back up. But not today! And since this is a newer game I'll try to keep it spoiler-free, although that does handcuff me on a few things...
I just finished playing Bioshock Infinite on the PS3 and it was a fun game with a good story. Do I consider it worthy of the lofty 9.5-10 ratings that many critics are giving it? Well no, not quite that high for me personally - so if you're a huge rabid fan of the game you might think my minor criticisms are heresy. But hey just because I don't think it's a 10 doesn't mean I'm trashing it. Since when did an 8.4 rating for a well-received game become a bad thing?
SYNOPSIS
The game takes place in the early 1900's and you are Booker Dewitt, a Pinkerton detective who has apparently done some shameful things and fallen on hard times. Booker has built up a large gambling debt to some bad people and at the beginning of the game you are directed to "bring us the girl, and wipe away the debt" - an imperative that is repeated throughout the game. So you are off to bring back (rescue? kidnap?) a girl named Elizabeth who you quickly learn is being held in a city called Columbia which floats in the sky. The girl turns out to have the power to open "tears" in the fabric of the universe and not only see into alternate timelines but also bring things over from them or pass through the tear itself to visit the alternate universe. The rest of the game deals with your efforts to take this girl out of Columbia while hordes of steampunkian loons are trying to kill you. And between firefights you struggle to piece together bits and pieces of this mysterious narrative as you go along.
Everyone knows I'm a sucker for game trailers so here is the TV spot that first grabbed my attention. None of this is actually in-game footage, but it actually does a great job of capturing the general feel of the game. I kinda like the song too - although I've never heard the whole thing.
GAMEPLAY
The gameplay is virtually identical to what you experienced in the first Bioshock, so if you liked that one you should definitely like this one as well. If you never played the original Bioshock - well it's considered a classic and lucky for you it is included in the PS3 version of the game so you can play both of them for the price of one! Anyway, Infinite has the exact same kind of smooth FPS gunplay and same kind of genetic powers although this time they are derived from "vigors and salts" instead of "plasmids and eve" (six of one half-dozen of the other).
This makes for some pretty cool fights against large groups of baddies, but it does tend to get repetitive after a while as did the original Bioshock - one of my all-time favorites on the XBox 360 by the way. But of course you can level that criticism at most games, the key is whether or not the game can keep you from thinking "ok this is starting to get a little repetitive" and I did find myself saying that a few times here. Not a lot, as the story keeps things progressing pretty well, but a few times. There weren't any real boss-battles to speak of - mostly just hordes of small to medium-sized baddies. I think one or two bosses or maybe a cinematic set piece here and there would have helped break it up.
So the basic program is something like this.
10 LEARN SOME BACKSTORY
20 FIREFIGHT
30 SEARCH CORPSES AND TAKE MONEY/FOOD/AMMO
40 ASK ELIZABETH TO PICK LOCK
50 SEARCH CRATES/DESKS AND TAKE MONEY/FOOD/AMMO
60 GOTO 10
A common criticism I have about these kinds of games is that even though you have a large variety of weapons and powers to use, there is often no real reason to vary your use of them. You could pretty much just grab a machine gun and use nothing else for the entire game. No real need for different guns, melee, vigors, etc. You don't even really need to use your vigors at all, a fact the game designers were apparently aware of as on multiple occasions when I'm mowing down enemies the message flashes on the screen "Don't forget to use your vigors!". The game should not have to tell me to not forget to use something I don't need to use - the game should find a way to make me need to use it. There were a few exceptions, but generally speaking I would've liked to have seen a little more situational need for a particular gun or power to mix it up a bit. I assume if I ratcheted up the difficulty the need for strategic use of weapons and vigors would increase, but even then is there any major reason to use "charge" instead of "devil's kiss" instead of "possession"? I pretty much just started using the vigors randomly so I could see what they all do.
Once you break her out of her prison, Elizabeth is at your side for almost the entire game. But you aren't forced to protect her - in fact she never even takes any damage whatsoever during fights. She pretty much just takes cover and throws you health, salts and ammo as you need them which is very useful. She can also open tears and bring things through like gun turrets that will fire at your enemies or cover you can hide behind - VERY useful! Unfortunately she can only open one tear at a time. And she continually finds money and other things lying around when you are just exploring and throws those to you as well if you want them (and why exactly would you turn down free money?). So she keeps you pretty well stocked in the essentials. And of course she also helps feed you bits of the narrative as you go along which is the key driving force in the game - even though she doesn't know the full story herself until the very end.
One cool gimmick is the system of roller-coaster like "skylines" set up around the city that allow you to ride them with a grappling hook that you obtain early in the game. This makes for some fun action during some of the fights, but unfortunately in most cases the skylines are isolated loops around particular buildings or small areas so again you can't really use them to explore the city you just loop around one small area during that part of the linear story. I think it would have been more fun if you could explore the whole city on them like you could on the trains of Infamous for example.
They completely did away with the hacking puzzle minigame that was used in the original Bioshock - and I kind of missed it. I've seen this kind of mini-game tactic employed in several games and I thought the original Bioshock implemented it extremely well. But in Infinite you "hacked" a mechanized gun by shooting it with the "possession" vigor and you opened locks by asking Elizabeth to pick the lock. The lockpicks are scattered everywhere so you never run out of them and thus that little mechanic felt like an unnecessary inclusion. I can only assume that the lockpicks are more sparsely available if you play through on a higher difficulty.
SETTING AND STORY
The story is both the strength of the game and also where I think it is most overrated. So forgive me if I sound a bit snarky here in places as I really did quite enjoy the tale but feel the need to take the unfettered universal praise down just a notch here.
The setting for the great majority of the game is Columbia, an impressive early 20th century American city that floats in the sky and is ruled by "The Prophet", who has some pretty rigid ideas about religion, patriotism, and race. There are some that are not down with his views so in addition to the native elite you also have to deal with the revolutionaries - but any moral distinction between the two factions is lost as it appears that they are all nutjobs and would very much enjoy killing you.
Columbia is populated with all sorts of technologically anachronistic devices. One of my favorite moments of the game is a small part at the very beginning when a jet-powered barge flies alongside you during a carnival and a barbershop quartet starts singing the Beach Boys' God Only Knows - not a big Beach Boys guy, but I've always been a sucker for harmony.
There are several different floating pieces to the city that make for cool environmental eye candy but you aren't really allowed to explore many of them so even though the setting has an open-world veneer it is in actuality quite linear. Which is OK by me as I usually find most so-called "open-world" games somewhat boring as they tend to lean far too much on meaningless tangential exploration to the detriment of the core story. Still, I found it a little disappointing at the beginning when I hurdled over a fenced edge into the sky to what should have been a fairly easy drop to a slightly lower floating building only to suddenly reappear back where I had jumped.
A minor thing that bugged me was that the vigors never really seemed to fit in for me in the context of this universe like they did in Rapture. In Rapture everyone was preoccupied with improving themselves to some sort of perfection through chemistry and technology so the practice of monkeying around with one's own DNA to gain bizarre powers seemed a sensible fit. But it just didn't seem to flow in Columbia. First of all, the vigors and salts and vending machines to strengthen them are located EVERYWHERE for the taking, but you rarely come across very many people other than you that use them. I suppose a bunch of racial supremecists would inherently believe their DNA is already superior and thus be hesitant to tinker with it, but it is made widely available and even happily given out for free with no apparent stigma at the carnival at the beginning of the game so that doesn't make sense. And wouldn't a lot of the downtrodden revolutionaries start juicing to kick some vigor ass themselves? It almost felt like the vigors were forced into use simply because Irrational Games knew they were a solid proven fighting mechanic for the franchise. Yeah I know - that's exactly why they are in there. And yeah they're pretty cool so fine, I'll accept the shaky vigors premise.
With Elizabeth's ability to open "tears" into other realities, a large part of the game deals with alternate universes. I'm a sucker for alternate reality/parallel universe stories. Always have been. A Marvel comic book called What If was one of my favorite comic books back in the day. It would chronicle a well-known comic book tale with one small difference, usually at a critical juncture in the timeline, which would inevitably spin the entire tale off into some completely different conclusion - usually with rather dire results. It was one of the few comic books of the time that often had a dark or hopeless ending instead of a feel-good one. Somehow that appealed to me.
Also one of my all-time favorite science fiction novels - well series of novels actually - is the Chronicles of Amber by Roger Zelazny. In it the royal family has the power to alter the reality they are in, not by entering a tear, but by taking a walk and mentally changing small details of their world as they go until they are in an entirely different world. Just a few weeks ago I watched Men In Black 3 - which featured an alien who could open tears of his own into alternate timelines very reminiscent of Elizabeth. The movie involves Agent J being caught in a villainous time-travel scheme and being forced to go back in time to stop it and save his partner Agent K from dying before they met. And even just last night I saw Looper, an alternate timeline-oriented movie which also has a number of parallels with the game. God help me I even enjoyed the Butterfly Effect with Ashton Kutcher - officially the only movie I will ever watch that features him.
So why am I mentioning all this? One - to point out one reason I really enjoyed Bioshock Infinite - I love that kind of stuff. And two - to point out that time travel, alternate universes and time paradoxes have been the core of countless numbers of fanciful tales for a long time and so I feel like Infinite gets a little too much credit on its handling of that front. Still, the wheels may be well-worn but the ride is still exciting and smooth. The ending was particularly good. It was thought-provoking, and even emotion-provoking, rather than your typical final boss-battle. When it flicked to black I sat there quietly just watching the screen for a while absorbing what I had just seen. It was so good that it brought the entire story that led up to it together and bouyed it up to a considerably higher point than it had been for the duration of the game up to that point. Even if I did pretty much see it coming...
And the floating city thing? Well you can go all the way back to Gulliver's Travels for that one. And there have been several other SF/fantasy stories that have used that setting since then. So anyway, I'm not saying the game is cliche - in fact it might be LESS cliche than all the other FPS titles out there - I'm just saying that the fanciful aspect of it is not particularly groundbreaking in its creativity and I would assume that others that have read and seen the same kinds of books and movies that I have might feel similarly.
Finally, the game deals with some weighty themes like racism, revolution, fanaticism, religion and redemption. The conflicting juxtaposition of this seemingly idyllic Rockwellian community in the sky and the rampant racism and violence you soon encounter gives the tale a certain social gravitas that does add to its telling, but in my opinion also leads some reviewers to give it a little more credit than it deserves. To me the story handled those topics in such an over the top caricaturish manner that it seemed a bit amateurish - kind of reminded me of the juvenile sci-fi novels I used to get from RIF at school versus the more mature sci-fi novels intended for adults. The RIF books were a fun read, but the non-juvenile ones handled the storytelling in a more subtle and sophisticated manner. That kind of stuff has been the meat and potatoes for good science fiction for over a century - pick up some Huxley, Wells, Orwell, Heinlein. It brings to mind an episode of Frasier where Frasier and Niles had such fond childhood memories of a fine Shakespearean actor but when they met him again as adults and enticed him to act in a production of theirs they soon realized that his acting was overly exaggerated and melodramatic and they had simply not realized it in their youth. So to some degree I think Bioshock Infinite is that melodramatic Shakespearean actor and the gushing reviewers holding up 10's are the prepubescent Frasier and Niles.
So all that being said, yes it was a very good thought-provoking tale, but the reality is that the story itself, which is being praised as a brilliant masterpiece by most reviewers, would not be rated anywhere nearly as high if it had been presented in the more aged medium of film, and even less so in the grand elder media of a book. The bottom line is it is a good story for a video game. I enjoyed Infinite very much, but with the notable exception of the last hour or so I believe I still enjoyed the original Bioshock.
SUMMARY THOUGHTS:
Graphics = Very good. Not muddy COD realism but more stylistic and colorful which is fine by me.
Sound = Excellent. Great music and sound effects. Some of the tunes during fights felt ripped from Wizard of Oz which fit the setting perfectly. The voice acting was also very strong.
Gameplay = Very good if you like Bioshock FPS play, although can get a little repetitive.
Story = Excellent. Although not as enthralling as some overly emotional reviewers have asserted.
My overall rating = 8.4
Well it has been a LONG time since I wrote a real proper post about a real proper arcade game and this one has literally been in my draft box at around 90% complete for about a year, so now that I'm in a posting mood again I thought I'd put some finishing touches on it, take a quick vid, and hit the ol' publish button.
The game room has been growing by leaps and dare I say bounds in the last year but I'm so far behind in posts that the only appropriate place to begin is with my very first arcade game, an often overlooked classic called Scramble. (Curtain rises. Lights Dim).
The MAME cab is great, but for some time I'd dreamed of building a collection of real arcade games. If money and space were no object then one could build this collection relatively easily, but both are definitely objects with which I must contend - very dense objects - so somewhere along the line I got the idea that I would only buy an arcade game if I could find one below $100. That way I wouldn't spend all that much and my buying opportunities would be rare enough to allow my limited space to last a while. Many months later I came to realize just how rare those opportunities are, with virtually all ~$100 games being restricted to non-working fixer-uppers which was not optimal given my lack of repair knowledge. Several times I offered potential sellers on Craigslist $100 only to be met with either indignant refusal or more often simply the ether-chirps of no response at all.
That all finally changed in March 2012 when I placed a $54 bid on an eBay auction for a 1981 Stern Scramble arcade game and watched as the seconds ticked away leaving me as the winner! Hit refresh to make sure - yep still me! My very own classic arcade game for less than the price of a new PS3 game! My wife was sitting next to me on the couch at the time, so I calmly gathered my thoughts and turned to her, "I just bought an arcade game". Her response - "you what?". Ultimately she succumbed to the logic that this was in fact an offer I could not refuse.
Of course, shipping charges on these beasts can run like $300-$400 so that would have completely blown my $100 limit, but this Scramble was more or less local (about 30 miles away from my house) so I jumped in my brother-in-law's truck and we headed out to snag it. I had never actually moved a real arcade game before so I had some logistical concerns like should we try to stand it up or lay it down, how should we best handle it to avoid damaging it, should we tie it down and cover it up, etc - but turns out it was quite easy. We just stuck it on a dolly, wheeled it up to the truck, leaned it over onto some cardboard we put down in the bed to help it slide and protect it a bit, and shoved it on up and in. No problem!
We brought a tarp (OK a shower curtain) to put over it, but the skies looked pretty clear and it was more or less protected from the wind so I didn't bother covering it. But by the time we were about halfway home dark clouds started rolling in which had me a bit concerned. Then my brother-in-law secretly sprayed the windshield wiper fluid and pretended like it was raining which admittedly freaked me out for a second or two before I realized just what the hell he was laughing at. Verrrry funny you bastid...
We wheeled it into the game room - a space formerly referred to by my wife as her kitchen - and into the corner right next to the Spidey pinball. Gorgeous! I just stood there and gazed at it. Lost in the realization of a child's dream of owning his own arcade game. Then I shuddered as a chill ran up my back. My excitement was suddenly tempered by the faint recognition of an icy stare boring into my shoulder blades. My instincts screamed at me to spin around to confront the threat, but fear of being stricken to stone prompted me to instead take a deep breath and glance at the reflection in the Scramble monitor. And there she was. My wife. Shaking her head in disbelief at this additional garish intrusion into her kitchen. But that was to be expected. I had planned for that. Contingencies were in place. The critical question was - was she smiling? I strained to get a better look at the dim reflection. Yes, I decided. She was smiling - sort of. Not much. But enough. Success!
Stern made two styles of cabinet side art for Scramble - mine (shown above) which has the company name along the side and the other version (shown below) with some spaceman artwork. I would have preferred to have the less generic spaceman artwork on it but hey for $54 I can't complain. Online I found that This Old Game sells a stencil of the artwork that I might have considered buying to repaint the cabinet, but the set cost $100 which was way too much for me. Besides, then it wouldn't be the genuine original artwork so I wasn't completely sold on the idea anyway.
The cabinet is in decent shape but has a little wood damage on the left side side, some missing T-molding on the top right, and the glass bezel is flaking off in several places. I think I can repair the wood damage with wood hardener and Bondo and I can replace the T-molding simple enough and the bezel too if I can ever find a better one that doesn't cost too much, but for now anyway I'm just leaving everything as-is and am quite happy with it! It plays great, the control panel and marquee look virtually perfect, and the monitor is bright and clear with very little burn-in. At first I didn't notice any burn-in at all but I noticed one day while the screen was off that you could just make out the outlines of a maze and a game logo - Mr. Do! So apparently the monitor was at one time or another used for a Mr. Do! machine. But it isn't noticeable at all during gameplay and kind of adds to the real arcade history of the machine overall so no biggie.
A look inside the game revealed the coin counter - apparently this machine made almost $5,000 in its day.
Now a little about the game itself - Scramble is a horizontal-scrolling shoot 'em up developed by Konami in 1981 and licensed to Stern for manufacture and distribution in North America. Defender had introduced - or at the very least popularized - the horizontal scrolling shooter a little earlier the same year, but Scramble was the first side-scrolling shooter to feature multiple distinct levels and also the first to feature forced-scrolling - both of which became widely adopted standards in the genre. According to some sources I read Scramble was also the first shooter to feature a fuel gauge and refueling as part of the game play - if it was not the first it was at a minimum a very early example. So even though it doesn't have the same name-recognition as Defender, it is still a respected piece of arcade history. In fact, it was one of seven games featured on custom-made tokens created for use in the Video Expo arcade at the 1982 World's Fair in Knoxville, Tennessee, with the other six being Pac-Man, Ms. Pac-Man, Space Invaders, Qix, Gorf and Donkey Kong. I picked up one of the tokens dirt cheap on eBay.
In Scramble you pilot an aircraft with an 8-way joystick and are armed with lasers for destroying things directly ahead of you and bombs for destroying things below you (2 fire buttons). Like a number of the earlier arcade games, the joystick is positioned in the middle with identical sets of buttons on both sides to accommodate both left-handed and right-handed players.
And again, like a lot of these classic old-school games the directions are printed right on the bezel:
To summarize even more succinctly - don't run into anything and shoot everything.
The "five Scramble defense systems" start with a mountainous surface, then a cavern filled with hovering UFOs (looks like Vanguard borrowed from this level in particular), then a hilly surface where you have to weave your way through a meteor shower, then flying above a long wall that restricts you mostly to the upper part of the screen, then a maze that requires precision flying to avoid slamming into the walls, and finally a city where you must destroy THE BASE. Your progress through the 6 different stages is displayed by a rather unnecessary meter at the top of the screen. Once you destroy the base, in true arcade fashion, the levels start over from level 1 but with increased difficulty as your fuel is consumed more quickly.
In addition to the special enemies seen in a couple of the levels (meteors and enemy UFOs) each level contains lots and lots of rockets that launch from below without any warning to try and collide with and destroy you so you spend a lot of time either avoiding the missiles or trying to shoot them down. And all the while your fuel is constantly depleting which is indicated by the fuel gauge at the bottom of the screen, so you have to regularly replenish your fuel by destroying the fuel tanks located throughout the levels. Not sure how you recover usable fuel from a fuel tank explosion but them's the rules! It's a rather alarming feeling when you are up to your eyes in rockets with no fuel tank in sight and the siren starts blaring to alert you that you are almost out of fuel. If you run out of fuel - you guessed it - you crash.
Oh and speaking of the siren, I enjoy the sound effects on Scramble. They are pretty simplistic, as one would expect given its age, but they are loud and clear with enough variation to keep it from getting on your nerves like some old arcade games can do after a while.
You get points for everything you destroy of course and also for each second that you continue flying. I guess it's kind of like a horizontal space version of Atari 2600's River Raid - just DON'T run directly into the fuel tanks on this one...
Here's a little video of the gameplay on my machine:
And if you still aren't convinced that you need to find and play this game just glance down at the lower right corner of the bezel to see what else Scramble offers you... Space Porn!!
Konami didn't bother putting any copy protection in place on the Scramble hardware so apparently it was a simple matter for arcade owners to convert the hardware to run most other games that ran on a Z80 processor when Scramble started getting old. That's why in MAME there are several games that list a clone as running on "(Scramble Hardware)". Stern themselves used the exact same hardware for Scramble's sequel Super Cobra and the games Lost Tomb and The End. There were also clone ripoffs of Scramble itself called Explorer and Strafe Bomb.
Scramble on Other Platforms
In the introductory sequence on the Game Boy Advance game Gradius Galaxies, Scramble is shown as the first game in the Gradius series; however, Konami issued the Gradius Portable guidebook a few years later which listed Scramble separately from the Gradius games. So it's official position in that lineage is uncertain, but it was certainly at least a strong influence on the game. Scramble was ported to the Vectrex and apparently to the Commodore 64 as well along with a few dedicated tabletop systems. In more recent years it has also been included in some Konami arcade collections.
Scramble was not widely ported to home video game and computer systems, but it did inspire quite a few clones. A quick search online shows the following list. I was going to include some screenshots but there are just so many of them I opted not to, but if one of your favorite systems is listed below then you might want to check out one of the associated clones. I played a few of them on emulators to check them out and some of them are quite good.
Air Strike (Atari 8-bit computer)
Air Strike II (Atari 8-bit computer)
Alien Attack (Tomy Tabletop arcade)
Astro Blaster (Tomytronic tabletop arcade in UK)
Cave Fighter (Dragon 32/64 computer)
Cavern Fighter (ZX Spectrum, VIC-20)
Caverns (Amstrad PCW 8256)
Deathstrike (Sinclair QL)
Fire Galaxy (VIC-20)
Martian Raider (VIC-20)
Moon Raider (Acorn Electron)
Penetrator (ZX Spectrum)
PixelShips2000 (Windows)
PixelShips Retro (Windows)
Raid on Isram (VIC-20)
Rambler (Tomy Tabletop arcade in Germany)
Rocket Raid (BBC Micro)
Scram-20 (VIC-20)
Scramble (Tomytronic tabletop arcade in US)
Scramble (ZX Spectrum)
Skramble (Dragon 32/64, TRS-80 CoCo, Commodore 64, MSX, VIC-20)
Skramble! (C64, VIC-20, MSX)
Striker (DOS)
Super Skramble! (Commodore 64)
Tube Way Army (Dragon 32-64 computer)
VIC Scramble (VIC-20)
Whirlybird Run (CoCo) (Actually might be a clone of Super Cobra because it is a helicopter)
Zeroth Zone (PC DOS)
So in closing I'll say that I do vaguely remember playing Scramble a time or two back in the day, but I don't recall thinking it was all that great. However, now that I've had a chance to revisit the game and explore it more fully, I have come to appreciate it as an underrated classic that deserves a respected place in arcade history. Which for me, to my wife's chagrin, is in the kitchen... er... game room. Uh-oh - there's that chill up my spine again...
Pungent Onion and I made the annual pilgrimage (2 years in a row anyway) to Dallas for the Texas Pinball Festival in March and though I have been too busy to prepare a proper post about it, a local news station did air a short piece on the event and the resurgence that pinball is experiencing the last few years. So check it out below - from "J.B.'s Journal" on KYTX in Dallas. Thanks to Edward VanderVeen with the Dallas Fort Worth Pinball & Arcade Club for pointing it out.
My previous post about the Space Invaders drink markers reminded me of the excellent episode of Futurama where the space invaders from the planet Nintendu 64 were attacking earth. The segment, entitled "Raiders of the Lost Arcade", had numerous comical references to classic arcade games. By my count they referenced 17 classic video games:
Asteroids
Donkey Kong
Super Mario 64 (or at least a talking Mario in general and I think SM64 was the first one with that)
Battlezone
Missile Command
Defender
Moon Patrol
Doom
Pac-Man
Centipede
Space Invaders
Ms. Pac-Man
Berzerk
Robotron 2084 (maybe not, but not sure what else the big brain guy might be from. Thought for a minute maybe Space Fury but SF's big brain guy only has one eye)
Zero Wing (All your base are belong to us)
BurgerTime
Q-Bert
I'm guessing that most folks who might be reading this have already seen this Futurama before, but if you haven't then you need to rectify that situation post-haste. Check out the video below - it's only about 6 minutes long.
And furthermore, while looking for this video I discovered a freeware game that a game developer named Shinobi had created based on the Space Invaders sequence in the episode. It has apparently been around since 2009 but I'd never seen it before, so I downloaded it and checked it out and I actually thought it was quite good. The graphics are nice and clean with some nifty parallax action and the gameplay includes some extras like double-shot and shield power ups and alien bomb hazards. Supposedly has some more surprises too but I don't think I played long enough into it to see everything. And the tie-in to the episode is done very well - Fry rolls in with his Rush tape blaring and the other characters make cameo appearances with clips from the show from time to time depending on the situation. So if you are a Futurama fan or a Space Invaders fan it is worth the download. You can grab it here: http://www.shinobis-place.de/Page_neu/index.html. He also created several others I haven't tried yet - Moon Patrol, Asteroids, 2nd Encounter, Kung Fu Master 3D, Snake and Fish, and Run or Die.
Or if you'd prefer to just check out the gameplay on video instead here ya go:
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